STONE-WORK

Collective Achievement in Anglo-Irish Stone Production, 1700-1800

Architecture is most often celebrated for its affecting designs and visionary architects, and not for the materials and hands that bring these ideas to life. STONE-WORK, a five-year project, funded by a European Research Council Advanced grant, aims to shift the spotlight to the untold story of stone – a journey from quarry to building site that highlights the essential roles of craftsmen, communities, and materials in the creation of architecture.

STONE-WORK proposes that every building is the result of a complex chain of actions involving many contributors, from quarrymen and suppliers to stonemasons and carvers. By tracing the path of stone from raw material to architectural elements – walls, floors, columns, and more – this research reveals the intricate web of skills, techniques, and collaborations that make construction possible.

Bringing together experts in architecture, craft history, and geology, STONE-WORK offers the first comprehensive look at how stone shaped the classical architecture of eighteenth-century Britain and Ireland. This project is a deep dive into the heart of architectural production, exploring how the relationship between material, design, and craftsmanship influenced not just individual buildings, but the communities that built them.

News


Honouring a Master: George O'Malley Recognised by the Worshipful Company of Plaisterers

Warmest congratulations from Christine Casey and the STONE-WORK team to George O'Malley, who has recently been formally recognised as a master plasterer by the Worshipful Company of Plaisterers. Plaster derives from stone, using lime and gypsum to create remarkable interior and exterior surface effects. Following in his father's footsteps, George has spent decades in the craft and is widely recognised as one of the leading conservation plasterers of his generation. Projects in Ireland include Longford Cathedral and Belvedere House. A passionate and articulate exponent of his craft, George has been a staunch supporter of research at TCD on materials and making.

His insights and experience are captured in two interviews featured in the CRAFTVALUE digital exhibition. A longer interview with George can be found here.

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Events

June 23

Venue
Neill Lecture Theatre, Trinity Long Room Hub Arts and Humanities Research Institute,
Trinity College Dublin,
Dublin

Conference The Stone Industry in Britain and Ireland, 1700–1800

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carved stone ornament
stone

Funding Statement

Funded by the European Union. Views and opinions expressed are however those of the author(s) only and do not necessarily reflect those of the European Union or the European Research Council Executive Agency. Neither the European Union nor the granting authority can be held responsible for them.  
This work is supported by an ERC grant (STONE-WORK, 10.3030/101096629).
Trinity College Dublin logo featuring the crest with a lion, harp, book, and castle, alongside the text 'Trinity College Dublin, Coláiste na Tríonóide, Baile Átha Cliath, The University of Dublin.